{"id":36,"date":"2017-07-21T06:53:23","date_gmt":"2017-07-21T06:53:23","guid":{"rendered":"http:\/\/pavlovski.dk\/?page_id=36"},"modified":"2017-07-21T07:11:48","modified_gmt":"2017-07-21T07:11:48","slug":"anmeldelser","status":"publish","type":"page","link":"https:\/\/pavlovski.dk\/?page_id=36","title":{"rendered":"ANMELDELSER"},"content":{"rendered":"<div id=\"id1\" class=\"style_SkipStroke_1 shape-with-text\">\n<div class=\"text-content Normal_External_640_29\">\n<div class=\"Normal\">\n<p class=\"Title\">PRESSEN SKREV OM NINA PAVLOVSKI&#8230;&#8230;<\/p>\n<\/div>\n<\/div>\n<\/div>\n<div id=\"id2\" class=\"style_SkipStroke_2 shape-with-text\">\n<div class=\"text-content graphic_textbox_layout_style_default_External_591_506\">\n<div class=\"graphic_textbox_layout_style_default\">\n<p class=\"paragraph_style\"><span class=\"style\">Operadebut\/DKT\/Butterfly<\/span><span class=\"style_1\">: <\/span>\u2026\u2026Et af den slags operaf\u00e6nomener, der magnetiserer med sin karisma, gennemslagskraft, direkte laserstr\u00e5ler over rampen \u2026\u2026Er indsatsen s\u00e5 lidenskabelig, stiger dette geisha-drama til at v\u00e6re Puccinis afg\u00f8rende mesterv\u00e6rk, og den fork\u00e6trede Butterfly-arie fremst\u00e5r med samme ild som Isoldes Liebestod. S\u00e5dan mestrer Nina Pavlovski sin figur<\/p>\n<p class=\"paragraph_style\"><span class=\"style\">Rolledebut\/DJO\/Tosca: <\/span>Hun er et fund i titelpartiet (\u2026) hun har det hele: lethed og bev\u00e6gelighed, m\u00f8rk bredde og lysende h\u00f8jglans, smeltende s\u00f8dme og gnistrende dramatik. \u2026.h\u00f8jsp\u00e6ndte fraseringer eller &#8211; som i &#8216;Vissi d&#8217;arte&#8217; &#8211; den mest forfinede detaljebehandling (\u2026.) s\u00e5 skr\u00e6mmende \u00e6gte, at man sluger hver nuance\u2026<\/p>\n<p class=\"paragraph_style\"><span class=\"style\">Opera North UK\/Tosca<\/span><span class=\"style_1\">: <\/span>Eye, ear and soul were pleasured by this world-class production. Nina Pavlovski as Tosca was magnificent (\u2026\u2026) I heard Maria Callas\u2019 voice again (\u2026.)Nina Pavlovski\u2019s half- whispered rendition of Vissi d\u2019Arte is heart stopping<span class=\"style_2\">\u2026\u2026..<\/span> Tosca of tomorrow. The performances were white-hot \u2026..Nina Pavlovski is a frighteningly intense actor (\u2026.) Vissi d\u2019Arte, she sings beautifully\u2026.. Nina Pavlovski is a gorgeous Diva\u2026.<span class=\"style_2\"><br \/>\n<\/span><\/p>\n<p class=\"paragraph_style\"><span class=\"style\">Operagalla\/DR Radiohuset<\/span><span class=\"style_1\">:<\/span> <span class=\"style_3\">\u2018Casta Diva\u2019, <\/span>som hun sang dr\u00f8mmende indadvendt, n\u00e6rmest sv\u00e6vende, med et sart indre lys\u2026..<span class=\"style_3\">Verdis Leonora <\/span>\u2026.en slutstigning, der var lige s\u00e5 intens, som den var brillant. Der er s\u00e5 meget personlighed i den stemme, s\u00e5 mange farver, og det dramatiske n\u00e6rv\u00e6r er uden forbehold (\u2026.)<\/p>\n<p class=\"paragraph_style\"><span class=\"style\">\u201cWAGNER GALA\u201d, CD 2007<\/span><span class=\"style_1\">: <\/span>(\u2026)Nina Pavlovski, hvis sang g\u00f8r det st\u00f8rste indtryk p\u00e5 denne udgivelse. Stemmen har v\u00e6gt og fylde til partiets dybere passager, mens toppen lyder som en ung dramatisk sopran (..) I smeltende fraser spinder hun blidt hviskende Parsifal ind sit net, kun i glimt aner man, hvilke kr\u00e6fter, hun om lidt slipper l\u00f8s (\u2026)Hendes voksende desperation over hans stadige modstand er ufravigeligt musikalsk funderet \u2026.\u2026.en overrumplende intens Nina Pavlovski, i rollen som <span class=\"style_3\">Kundry,<\/span> er lige ved at stj\u00e6le billedet&#8230;&#8230;<\/p>\n<p class=\"paragraph_style\"><span class=\"style\">Operakoncert 2009\/Herning <\/span><span class=\"style_1\">: <\/span>(\u2026)et scoop i form af sopranen Nina Pavlovski, som tog publikum med storm fra f\u00f8rste f\u00e6rd. (\u2026.) med smittende charme og virtuos sikkerhed. Hvilken udstr\u00e5ling ! (\u2026.) som ekstranummer fik vi Puccinis elskede O mio Babbino caro i en udgave, som fik t\u00e5rerne frem i \u00f8jnene\u2026&#8230;<\/p>\n<p class=\"paragraph_style_1\"><span class=\"style\">Nyt\u00e5rskoncert 2011 Odense Symfoniorkester<\/span>: (\u2026) Nina Pavlovski fik Odense Symfoniorkester til at lytte \u2026.)Alle i sal og p\u00e5 balkon var solgt. (\u2026.) med et lille um\u00e6rkeligt vinkelskift i klangens prisme f\u00e5r hun p\u00e5 et splitsekund vendt amour\u00f8se og k\u00e6lne stemninger til h\u00f8jsp\u00e6ndt dramatik. Klangfarver i hele terrakottaens farvespekter \u2026..<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>PRESSEN SKREV OM NINA PAVLOVSKI&#8230;&#8230; Operadebut\/DKT\/Butterfly: \u2026\u2026Et af den slags operaf\u00e6nomener, der magnetiserer med sin karisma, gennemslagskraft, direkte laserstr\u00e5ler over rampen \u2026\u2026Er indsatsen s\u00e5 lidenskabelig, stiger dette geisha-drama til at v\u00e6re Puccinis afg\u00f8rende mesterv\u00e6rk, og den fork\u00e6trede Butterfly-arie fremst\u00e5r med samme ild som Isoldes Liebestod. S\u00e5dan mestrer Nina Pavlovski sin figur Rolledebut\/DJO\/Tosca: Hun er et &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/pavlovski.dk\/?page_id=36\" class=\"more-link\">L\u00e6s videre<span class=\"screen-reader-text\"> &#8220;ANMELDELSER&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-36","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/pavlovski.dk\/index.php?rest_route=\/wp\/v2\/pages\/36","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/pavlovski.dk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/pavlovski.dk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/pavlovski.dk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/pavlovski.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=36"}],"version-history":[{"count":2,"href":"https:\/\/pavlovski.dk\/index.php?rest_route=\/wp\/v2\/pages\/36\/revisions"}],"predecessor-version":[{"id":55,"href":"https:\/\/pavlovski.dk\/index.php?rest_route=\/wp\/v2\/pages\/36\/revisions\/55"}],"wp:attachment":[{"href":"https:\/\/pavlovski.dk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=36"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}